Review
by Nicholas James |
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Robin was working on this album at the time
of his death, and it was finished with the
help of his wife and son, Robin-John. The
album was as strong as anything he had done
at ay point in his career and shows that he
still had much to contribute at the time of
his death.
The album has a contemporary sound and is a
return to good quality song-writing, after
his somewhat disappointing
Magnet album,
which focussed too much on trying to get
down with the kids at the expense of a good
song.
There are a number of stand-out tracks on
this album. 'Days of Wine and Roses' builds
from a gentle ballad, to a rousing
bagpipe-led crescendo. 'Alan Freeman Days'
is a lament to lost heroes and times, and
'Sanctuary' is a driving, indie-style rock
masterpiece, which could have been a huge
hit if released as a single. 'All We Have Is
Now' is perhaps one of the most beautifyl
songs Robin has written and wouldn't have
been out of place on the melodic
How Old Are You
album. 'One Way Love' is a quirky pop song,
written with former Radio 1 DJ Mike Read,
and intended for Peter Andre but never
finished.
Other interesting features include 'Instant
Love', an instantly hummable pop song,
written and recorded with his son
Robin-John, who actually sings lead on the
second verse. 'Mother of Love' is a song
that previously featured on the My Favourite
Carols album, but sits much better here. And
'Sydney' is the final song Robin wrote and
recorded. Indeed, he had not even finished
it on his death, and it was recorded on an
iPad as a demo, but his family has finished
the production for him. Although rough and
ready, it looks back over good times with
his two brothers in Sydney and is a fitting
final song for this album and this great
man's career.
If there is a criticism of this album, it is
that some of the songs in the middle section
portion of the album lack distinctiveness
('Anniversary', 'Sorry', 'Cherish',
'Avalanche') and perhaps needed more work,
but this is an unfair criticim since the
album waas never actually finished so we do
not know for certain what Robin would have
done with it.
Why 50 St Catherine's Drive?
It is Robin Gibb's final album, and a
wonderful send-off for one of the world's
most successful and creative musical
talents.
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